It’s almost two years since I first worked with Whitney Browne, and her photographs continue to move me. I’m particularly fascinated with her double exposures, allowing her subjects to be in two places at once. Since I love to paint movement, whether smoke in the air, jellyfish in the sea, or dancers on land, these images of hers speak to me. It’s a great challenge to suggest motion on a flat canvas and makes for many hours of both enjoyable and excruciating painting. Because the photos are not exactly realistic, I can paint the shapes and colors without allowing my brain to name them and miraculously end up with what I think is an interesting and unusual painting.