When I see a photograph I want to paint, there are many decisions to be made before my brush ever touches the canvas. Just as a plein air painter might use a view finder to frame the scene he chooses to paint, I need to decide where my edges will go…how much do I crop and where…will the image fill the frame or have background…and, in the case of Rising, is it a figure or a portrait? When I first saw the photo of this powerful dancer in Whitney Browne’s collection of Dance for the Photographic Eye, I knew I wanted to paint her as a portrait. I moved her to the left, cropped off all but the upper portion of her body and counted on the negative space on the canvas to provide the feeling that she is a woman about to take flight. This version of Rising is the grisaille; the full painting is yet to come…
I like the beginning. Look forward to seeing it as it moves along.
It will be a completely separate painting—same image, new canvas, thicker paint, different palette.