Haven’t I Seen You Here Before?
You feel like you get to know people when you paint them (staring into their faces for hours at a time), and when you paint two people, you find a narrative for them. Haven’t I Seen You Here Before? describes a man trying to pick up a woman with the oldest line in the world, which is likely the cause of her slight smirk.
Room 503 paints the woman as the aggressor…
Let’s Get Out of Here
as does Let’s Get Out of Here, though that appears to be more of an invitation than a full press.
Shh…Don’t Tell Anyone
Shh…Don’t Tell Anyone seems the least suggestive of this group—more a secret being told than any desire being expressed. But these are only my narratives…what do you think?
Let’s Get Out of Here
I like to paint series. My earliest paintings were of food—pears, apples and oranges, salad vegetables—mostly meant to be displayed together. And after I had painted my first tango dancers from the legs down, I painted four more couples, so that I could hang them all together. My pop portraits were originally intended to be shown in threes, and I painted three versions of the same lotus plant and then that plant in bloom! So it should come as no surprise that Shh…Don’t Tell Anyone has inspired me to paint more couples whispering secrets (or lies) to each other. Let’s Get Out Of Here is my newest addition to this new series. Watch for more…
After a crazy week with a Twitter threat causing my flight to Florida to be cancelled so that I could be in Boston in time to experience the more than two feet of snow from Juno, I finally got to Palm Beach Gardens for the BallenIsles Art Expo | 2015, which featured paintings, photographs, collages, mixed media, sculpture, needlework, woodwork and even hand-made Christmas ornaments. Eclectic!
Shh..Don’t Tell Anyone
I do love a painting class. There’s usually a teacher or two there, someone to engage you in a dialogue about what you’re doing, what you want your painting to be and how to get there. And when you step back from your own painting, as you must do and often, you are surrounded by other artists and the myriad of subjects that they’re painting. You learn so much from other people’s work! Sometimes it influences you; sometimes you might even steal something.
Almost a year and a half ago, I stopped by the Acorn Gallery during the Marblehead Arts Festival and saw Lexi Baliotis (getting married next week, she’ll be known as Alexis Kereakaglow) working on a painting of a girl on a beach. I was completely enchanted by it—a back and side view that featured the girl’s ear in close up detail. You could have reached out to touch that ear or at the very least whispered a secret! So this year, I painted Shh…Don’t Tell Anyone with the image of Lexi’s ear in my mind’s eye. I’d call that inspiration.