Some Good News

Splash

 

With plenty of time on my hands these days, I’ve been spending more of it painting and entering art competitions than ever before. It was lovely to get back from my walk this morning to find an email congratulating me for receiving two Special Recognition awards from Light Space Time Online Gallery’s 10th Annual Seascapes Competition for Spash and Mixed Marriage!  I don’t usually paint traditional seascapes but remain fascinated by the process of painting underwater images. And in a time when many people aren’t going to art galleries or art shows, it’s a privilege to be included in an online gallery show that reaches so many viewers in our newly virtual world. Check out the 10th Annual Seascapes Exhibition on http://www.lightspacetime.art for the month of June. Some good news indeed!

Mixed Marriage

 

Created in Isolation

Light Space & Time Online Gallery ran a competition last month asking artists to share the art they had created while in self-isolation during the coronavirus pandemic. Since painting has been one of the things keeping me sane in a time when I can only see my children and grandchildren on a screen, I was happy to share the two large canvases I had worked on and finished in the last two months: Hair Love and Splash. A few days ago, I was delighted to be notified that one of my pieces had won an award and would be included in the Created in Isolation Exhibit on lightspacetime.art for the next month (until June 15th). The gallery received 1,189 entries from 30 different countries around the world, as well as from 35 states and the District of Columbia; 215 winning artists are now featured in Painting and Other Media. Speculating that Splash seemed more in keeping with the theme of isolation, I was surprised and delighted to wake up today to the email telling me that it was Hair Love that won Special Recognition. While many of the winners used the pandemic as subject, most of the works  were just about creating art in this strange time in our lives. Hair Love sits on the floor in my front hall waiting to be shipped to Town Stages in Tribeca, once it opens for business again.

 

Splash

I’m not much of a believer when it comes to fantastical things like unicorns and trolls and mermaids, but I’m a grandma, so I suspend my disbelief now and then. Back in early February, when we took our last  trip to Boston, our granddaughter Lasa gave us a picture she had colored of a mermaid, and my husband promised we would have it framed and hang it in our house. Which we did.

A couple of years ago, I gave one of my painting teachers, Aj Rombach, a blank 30”x40” canvas that she covered with an oil ground for me, which is something like gesso, but made of oil, not acrylic. A thick surface resulted, with trowel marks all over, so it wouldn’t have served for most of my portrait and figure work, which is usually very smooth. The texture somehow suggested water to me, so I painted the background first, and then, inspired by Lasa’s little mermaid, I thought I’d paint my own. She’s underwater, just like those jellyfish I’ve painted before, and even looks a little transparent, which seems suitable for a figure that may or may not be quite real.

Note: Though a picture is often worth a thousand words, some paintings are just better viewed in person, whenever possible. Since I don’t have that option, this photo will have to do.