Silent Auction

I try to contribute to the BallenIsles Charitable Foundation for its good work for the Palm Beach Gardens community in some way every year. This year, I donated a painting to the Silent Auction at the close of a long weekend of sold out activities and had a lovely write up in the preview for the festivities.

Some say it was a pear Eve ate…

Some say it was a pear Eve ate…, an unframed oil on canvas by Nancy Satin, measures 40” x 30.” But look closely and you will see a “Da Vinci Code” in the painting. Be sure to mount your new painting across from a mirror so that you can read the message! Nancy Satin, originally from the Boston area, is now a local Florida artist. She has participated in many Art Exhibitions, including our local Lighthouse ArtCenter. Her website is: www.nancysatinart.com. Nancy is a BallenIsles resident.

Paint By Numbers

Paint By NumbersThere’s something to be learned every time you pick up a paintbrush, no matter how long you’ve been painting…no matter what your subject is. A couple of months ago, a young woman I know asked me to do a painting with a pool theme for her basement. She and her husband had just gotten a handsome pool table with gray felt instead of the traditional green, and she wanted to liven up the setting with a painting on the large, blank, paneled wall behind the table.

I’m not going to lie to you–I don’t think cues and racked pool balls are very exciting subjects–but they do provide enough material for a still life and enough of a change from what I ordinarily paint to make the process enjoyable. My very first paintings were still lifes, mostlly because you can learn so much about proportion, placement, color, value, light…everything you need to paint anything…so why not a pool table?

     

Anjou, Bartlett, Bosc, et al

BFF'S

BFF’S

Birds on a Wire

Birds on a Wire

 

 

There’s something about pears for me…the shapes, the contours, the colors. Though I’d never turn down the chance to eat a sweet, juicy pear, I’m much more interested in them as subjects for still lifes.  And they’ve got that anthropomorphic thing going for me: I certainly see them as female–all those lovely torsos.  I painted BFF’s to celebrate the friendship between two women (I’m the taller one) and the Birds on a Wire are having a gossipy chat.

When I came across a poem about pears online, it inspired me to paint the pears that hang in my kitchen in Florida, so I  painted the first two lines of the poem in DaVinci script, directly on the painting:
Some say
it was a pear
Eve ate.
Why else the shape
of the womb,
or of the cello?
Some say it was a pear Eve ate...

Some say it was a pear Eve ate…

When I painted The Bartletts, a triptych of eight pears, I used pears I had spent some time selecting at our local fruit store as my models.  I very carefully wrapped them up and kept them at the back of my fruit drawer between painting classes, hoping to keep them from getting too ripe.  I was about half done with the painting when we went away away for the weekend, and as soon as we pulled into our driveway, I knew that our son had been at the house while we were away.  (He just left a light on in the den.)  I had no problem with that until I saw the note he left on the kitchen counter: “Mom, where did you get those pears?  They were awesome!”  He had eaten three of my models!  Don’t think it was so easy to replace them, either.  Who knew that no two pears are alike?

The Bartletts

The Bartletts